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We’ve updated our Terms of Use. You can review the changes here.

Mirror Touch

by Concetta Abbate

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Creatures 03:41
Madrigal 00:53
Lavendar 04:21
September 03:23
Building 02:42
Overflow 05:11
Mis 02:59
Bit of Rain 02:58
Secrets 02:58
Worlds 03:48
Forgetful 03:03


Mirror Touch is a song cycle, the outcome of creative collaboration between a musician/composer and women facing mental health challenges, including their struggles with self-care. In this project, Concetta Abbate used a series of anonymous interviews as a springboard to explore music’s capacity to elicit the most exceptional levels of empathy. The song cycle's title refers to the experience of extreme empathy felt by people with the neurocognitive trait Mirror-Touch Synesthesia. The composition utilizes a simplistic outline of harmony and motif using primarily 5 string violin, drums, and highlights of woodwinds. The timbres and textures of the instruments move together effectively to take listeners on a journey of emotions. Emotions that are raw, complex and as layered as the music’s arrangement. There are moments of dissonance, comfort, solitude and contemplation. This is a clear, sonic representation of a story depicting valiance and bravery through embracing the unknown.


released September 25, 2020

All Music and Lyrics composed by Concetta Abbate

5 string Violin (Concetta Abbate)
Voice (Concetta Abbate)
Percussion (Benjamin Engel)
Flute and Alto Flute (Leanne Friedman)
Bass Clarinet (Vasko Dukovski)
Guitar (Charlie Rauh)

Recorded and Mixed by Kevin Read at KJR Sound in Greenpoint, Brooklyn
Mastered by Paul Gold at Salt Mastering


all rights reserved



Concetta Abbate New York, New York

Concetta Abbate is a classically trained violinist/vocalist turned improviser and composer. Grammy.com describes her original performances as a mix of “Violin and delicate vocals that float between the worlds of Modern Classical, Neo-Folk, and poignant and poetic verse”. Her studio albums of her original music span genres of New Classical, Jazz, Experimental and Folk.' ... more

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